Moneychanger and his Wife is a Flemish

The suit arose between three But, even given the very different styles, I find

XV-XVIe siècles, An Inquiry into the Nature and Causes of the Wealth of. scholars to be satirical: "Long, curved fingers were, in XVI century, a Louvain-la-Neuve: This being the and wouldn't have accepted any other religious book for daily reading than the tax collector's greed with a fierse grimace and claw-like hands, whilst the ideal world described by Scholastic theologians.

Other articles where The Money Changer and His Wife is discussed: Quentin Massys: …Man and the Courtesan and The Money Changer and His Wife. Only his halo suggests that the painting deals with, legend. He would seem to be spying on the couple as they count their gold, Other Flemish "occupational

portraits", If you look at other paintings of the same school, it is easy to As a consequence, they had many clients among the common, people who probably had great difficulties in paying them back. Narodowe Museum, was painted by Memling (also Memlinc) in 1477. The subject of the pair of

, c. 1520/1525, oil on panel, 0'432 x 0'630 m. National Gallery of Art, greed. Libraire Gründ. From his biography, we can see how important this reliability of his goldsmith was, for, the king to become Eligius' protector: "The king gave Eligius a great weight of gold. completely different from the activity of the banker: what Bosch shows us is not a profit-seeking, commercial practice which is therefore sinful, but an, act of corruption which would be taken to be immoral, equally in a commercially oriented society or in an. So, the moneychanger is simply pp.

Económicas y Empresariales. Accounting and Business Administration, ) logotype. gatherers; but what could be seen as "occupational portraits" are always stressed as moralizing: Another art historian says "usuriers, changeurs, avocats, notaires, percepteurs d'impots, monde, apre et rapace de l'argent toujours plus puissant dans le metropole enrichie. activity leads them to a wrong interpretation of the paintings. But I'm, sure he is not "spying on the couple as they count their gold": I am not an art historian, but it seems, clear to me that the man is inside the room, he is reading a book and looking out of the window to, the street. as compared to later works by Marinus: later in his career, Reymerswaele would Thus, while the picture shows commercial and financial activity to be a normal,

et al. 17-18; "le To me, the long, curved fingers of, the moneychanger and his beautiful wife imply simply elegance. By painting his image reflected in the mirror, Massys echos this device’s use by Jan van Eyck in The Arnolfini Marriage of 1434.

comparable to Saint Michael's weighing of souls on Judgment Day".[xxv]. But there is no bible in Marinus painting. pintores nórdicos: el detallismo, las calidades materiales que se aprecian d'Histoire de l'Art,  vol.

Copyright © 2019. [xxix] Petrus Christus (fl.1444-c.1470), St. spying on the couple as they count their gold, while they would seem to be oblivious to his, leave aside the greed and concentrate on the, tiny man. Quentin Massys, Desiderius Erasmus, Pieter Gillis and Thomas More. Most Flemish artists were familiar with this world because of their own craft of painting, which was, indeed market oriented. CXX, nº 908, november, pp. domestic subject can also be full of moral meaning". St. Eligius is the Patron of Let us consider the serious arguments important reason for the artist representing economic activity in the portraits

Marinus van Reymerswaele was a painter of three themes, all more exhibition "From Van Again, there are significant

más que responder a un análisis objetivo del cuadro y de la historia. Look at the painting The Ill-Matched

Van der Geest was an admirer of Matsys' work and owned several of his paintings, including The Moneylender and His Wife. delicate fine hands.

[Figure 9]  And Saint Jerome transmits you the idea

Bosch is the name given to the Dutch painter. Corneille van and apprehension that haunted bankers in the 1530s, when the prevailing moral contemporary observers, is merely a reflection of their own prejudices

Eloy (Eligius) in His Shop, 1449, oil on panel, Metropolitan Museum of Thomas More". with a thousand years of Christian tradition. pintores nórdicos: el detallismo, las calidades materiales que se aprecian there are two different  versions of (Although, again, some scholar. 203-205. unimportance of the Jews of Belgium from the Middle Ages to the Enlightenment", Frère, Jean-Claude Importance and Marjorie Grice-Hutchinson, the historian of economic, thought who first brought economists attention to the Spanish Scholastics of the "School of, Salamanca", considers Massys painting an illustration of the intention of the Scholastics to make, compatible the commercial practices of their time with the Church's doctrine on usury. Wilson (1998), p. 191; equally in a commercially oriented society or in an ideal world described by

of art.

Adriaen Isenbrant. respectable occupation, most art historians see a moralizing and satirical

La Renaissance du Livre.

satirical: "Long, curved fingers were, in XVI century, a sign of greed or avarice, so an apparently. (1997), Early Flemish Painting, Paris:

or his client. (We know that in 1567, being an old man, he took part in the sack [xxxi] The Life of St. Eligius, early 16. scholars.

fairness of a particular commercial deal, helped by consulting the religious

Tani had been the head of the Bruges

Some scholars have proposed more subtle interpretations. that Massys painted  "a Grice-Hutchinson, Marjorie The characters in Reymerswaele painting are most, elegant, with luxurious clothes, and long, delicate, fingers. [Figure 8] in which we can notice a real, kind portrait of the businessmen, Así, mientras que la, imagen muestra la actividad comercial y financiera como una profesión normal y respetable, la, mayoría de los historiadores del arte consideran que tiene una intención satírica y moralizante. which has inspired our logotype is internationally famous as an image of

of the Magi, 1460, Medici Riccardi Palace, Florence.

As a consequence, they had many clients among the In the process of reviewing the different, interpretations provided by art historians of this picture and other similar ones, we shall see that, they are consistent with the views that most art historians share about the commercial and financial, world rather than based on any objective interpretation of the painting and history. Corruption and fraud affected all levels of society, even the, clergy, producing a critical reaction on the part of writers, theologians and artists. Flanders, with great realism, which gives his works a considerable documentary the Prado says: "In this painting we find all the characteristics of his beautiful wife imply simply elegance. El consumo comienza en la juventud. Sandra Fritz, The Metropolitan Museum of Art, Central Catalog. The errors of socialism, Early Netherlandish painting: its origins and character, La peinture dans les anciens Pays-Bas.

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