At the beginning of his career he struggled to break into films, but a few days before his 22nd birthday he was given the role of the bosun in, At the time of his death he had been planning to play a rapist in a film, with his. His screen persona was taciturn, even surly, and the young actor … Although he regretted not accepting the part of James Bond himself, Baker was a friend of and outspoken admirer of Sir. "[52] Baker was heavily criticised for earning vast sums of money despite propounding left-wing politics, sending all his children to English public schools, and owning a large holiday home in Spain. His was good-looking, but his features were angular, taut, austere and unwelcoming. (1974) and Graceless Go I (1974). I got into awful trouble. Scheuer, Philip K. "Looking at Hollywood: Here's the Inside Story—How 'Zulu' Was Made" Hopper, Hedda. Baker finally broke away from supporting parts when cast as the lead in Hell Drivers (1957), a truck driving drama directed by Endfield. At his peak he earned £120,000 for each film he made, at a time when the average house cost just £3,000. Faded into relative obscurity until recently, now that DVD and Blu Ray releases of his films have ensured Stanley Baker a new fan following. Baker immediately proved a unique screen presence - tough, gritty, combustible - and possessing an aura of dark, even menacing power.Stanley Baker came from rugged Welsh mining stock - and as a lad was unruly, quick to flare, and first to fight. Stanley Baker also established a fruitful working relationship with the American director Cy Endfield, following their early collaboration on Hell Drivers (1957). For either director, the actor's word and handshake was all they needed. His was good-looking, but his features were angular, taut, austere and unwelcoming. I'm still surprised how good I am at business.[40]. He owned a large house in London and a holiday villa in Spain, while his children attended private schools in England. His father was a coal miner who lost a leg in a pit accident but continued working as a lift operator at the mine until his death. [27] but neither project was realised. His screen persona was taciturn, even surly, and the young actor displayed a predilection for introspection and blunt speaking, and was almost wilfully unromantic. His was good-looking, but his features were angular, taut, austere and unwelcoming. Glyn appeared in The Wild Geese (1978), opposite Richard Burton, and in Return of the Jedi (1983), as Lieutenant Endicott, the imperial officer who said "Inform the commander that Lord Vader's shuttle has arrived. It was about four POW spending a night in a bombed out church and was staged in actual churches; the rest of the cast includes Denholm Elliott, Hugh Pryse and Leonard White. He was also going to film the John Roeburt novel The Climate of Hell with James Goldstone. His career received another boost when Laurence Olivier selected him to play Henry Tudor in Richard III (1955). Stanley Baker was unusual star material to emerge during the Fifties – when impossibly handsome and engagingly romantic leading men were almost de rigueur. There was some talk he would play Rufio in Cleopatra (1963) but it did not eventuate. I think the Welsh Nationalists are foolish and misguided people. His TV roles included The Tragedy of Pompey the Great (1950) and Rush Job (1951). By the end of the decade, he had started to fade from public memory. [11] He had a small role in a British-US co-production for Warwick Films, The Red Beret (1953), with Alan Ladd, another big hit in Britain. [26] (Chard died at age 49 in 1897, only a year older than Baker at his death; both died of cancer). (1965), and appeared in two episodes of Bob Hope Presents the Chrysler Theatre: After the Lion, Jackals (1966) and Code Name: Heraclitus (1967). Both were box-office failures commercially and Baker made no further films with Enfield. Wiki. In a floral tribute sent to Stanley Baker's funeral, Zulu leader. Born into a coal mining family in Glamorgan, Baker began his acting career in the West End. With Michael Deeley and Barry Spikings, he formed 'Great Western Enterprises', which was involved in a number of projects in the entertainment field, notably music concerts, and in the late 1960s it bought Alembic House (now called Peninsula Heights) on the Albert Embankment, where Baker occupied the penthouse apartment for a number of years. "They Seek Out Saul Bellow: 'MAF BOYS' STRANGER" DUE ON THE RUN" by A.H. WEILER.
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